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tamie parker song

long-form compositional improvisation!

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Limited Time Offer!

I have just self-published a booklet (sometimes called a chapbook) that is a long essay titled “Yellow Arrows to Santiago.” It is available for purchase for $7 USD + shipping cost. If you are interested, email me at tamieparkersong@gmail.com with your mailing address. I will then send you details about how you can pay and I will send you the book as soon as I receive your payment.

Here is how it starts, to give you a sense of whether you might want to order it:

Yellow Arrows to Santiago

Section One

Because I have been walking for weeks, because I have tendonitis in both ankles and both knees, because I did not train enough and so my feet feel crushed bone by small bone and all my toes have been numb for days, I am walking in a great deal of pain. Because I hurt, I am walking slowly. Because I am walking slowly, it is taking me all day to reach the village that in better times I’d have reached by late morning, given that it’s a 16-mile walk today. The blue sky is fathomless and the wheat fields fill all I can see or even imagine. What is pain? A little synapse, a little neuron firing. It isn’t mountains collapsing. Though it might as well be.

            I have come here to walk my way into the answer to a riddle, like children walk their way to the answer in a hay maze. The riddle is: what story am I meant for? I understand my options to be: stay with my husband and remain protected within the web of relationships that hold us, or leave my husband for my lover and lose all protection and acceptance. Other possibilities do exist; I even have shadowy ideas about what those possibilities are. But because they’re not possibilities named by the group I am part of—the co-creators of what I know to be reality—they’re not possibilities I can perceive, much less live. So, functionally, they do not exist. What do I want? What do I want? There’s a blankness in me where an answer to that question might be.

            It is springtime when I set out to walk 500 miles of the ancient pilgrimage path, the Camino de Santiago, across northern Spain. On the fourteenth day of the pilgrimage, at 3:00 in the afternoon, I am walking alone, across the endless, flat meseta, and the tendons in my feet are tight as piano wires: the pain is like someone banging on the high notes. Hours after all the other pilgrims have already arrived, I walk into the courtyard of the albergue—the pilgrim hostel—in the very small village of Boadilla del Camino, and the hospitalero hurries out and lifts my pack off my back.

            “Blisters?” he asks.

            “Tendonitis,” I answer.

            “Si,” he nods, makes me sit down in a cool, tiled room, asks his wife to make me a sandwich he doesn’t charge me for.

            When I search for money to pay for the night, he says, “No, later.” He guides me to the dorm, helps me climb onto a top bunk. Every day he watches pilgrims walk into his albergue by the dozen. For some reason, he knows that today I am the one who needs extra help.

            “Sleep,” he says. I lift the heavy and foreign creatures of my legs onto a pillow, gasp against the pain that always comes when the blood pours from my feet back into the rest of my body, shut my eyes, do the thing they call breathing. And then I do sleep. I sleep like consciousness is a tide pulled to some other part of the Earth. I sleep like it is the only way I will ever be saved. Something inside me is being brokered; shed like snake skin; made to be at the ready.




Tamie on Bear Island, 2022.

here’s a quote that I write by: “If you're not prepared to risk your entire reputation every time you write, then it's not worth your audience's time.” -Jose Rivera

 

This is a list of essays & other writings I’ve published:

“Up Until the Started Killing” was published in Killing the Buddha in April, 2025. It can be found here.

“Avenging Angels” was published in Eating Alone in the Fall of 2023.

“Prairie Whale” was published in the Spring 2023 issue (the “Reverence” issue) of Brink Literary Journal.

“Disobedience” was published in the Spring 2022 issue of Selkie Zine. It can be found here. (You have to click on PDF and then find it! A sleuthing out!)

“The Fifth Direction” can be found in the August issue of Terrain.org, here. This essay won the 2020 Terrain Editor’s Prize for Nonfiction. It was also nominated for a Pushcart and was a finalist for Best of the Net 2022.

"I am a split clay pot and the wind's blowing over my ribs: Dispatch from the Field," can be found in the May 2018 issue of The Selkie Zine, here.

"Thirteen Ways of Killing the Captain's Son" can be found in the fifth issue of The Selkie Zine, here.

"Spit/Reef" can be found in the December 2016 issue of The Selkie Zine, here.

"Knots Used in Fishing" can be found in the second issue of The Selkie Zine, here.

"Manhandled" was originally published in the Fall 2015 issue of New Ohio Review, and was subsequently shortlisted Best American Essays 2016. It can be found here.

"David the Green Dragon Goes to the Opera," can be found here, in the Spring 2015 issue of Literal Latte.

"Sleep" can be found in the Spring 2015 (Vol. 32) issue of Emrys Journal (print only), which can be ordered here.

"Picking Raspberries" is found here, in the Fall 2014 issue of The Baltimore Review.

"Hook and Sway" is here, in the 2013 issue of terrain.org, published under the name Tamie Marie Fields, the name I was born with.

"Silvers," is here, in the December 2012 issue of Cirque Journal, also under Tamie Marie Fields.

“Making the Church More Accessible to Folks Under 35” is here, as a April 19, 2011 blog post for the Forum for Theological Exploration.

“Twenty Steps to a Renewed Church” the most viral thing I’ve ever written, is here, as a April 9, 2011 blog post for Forum for Theological Exploration Blog.


“I think of artists like scientists. Just like scientists, we begin with a question, something we don’t know. We go into our studio and research that question…The scientific method works on material questions. The artistic process works on questions of culture, questions of thought.

…the Entertainment Industrial Complex has decided we should all consume the same limited, repetitive cultural diet. Over and over, we see the same five stories. The same three bodies. The same four kinds of relationships….[Artists] provide the wide spectrum nutrition that the soul needs and the Entertainment Industry ignores….Entertainment distracts our attention. Art focuses it. Entertainment is important, it allows us to check out, to give our attention a rest. I love action movies. But I don’t watch them all the time. Like eating sweets, too much distraction can be toxic. Art is not cultural broccoli, something you hate but should consume. Art offers pleasure, the rich and deep sensations of laughter, change, and investment. Entertainment does not.”
— Andrew Simonet, Making Your Life as an Artist, pp. 18-19, 24, 27-33

From Ursula K. LeGuin’s speech in acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters

 

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